The Hague.

My dear Theo,
I wanted to drop you a line to tell you that, as a result of the arrangement with Pa and Ma to let me use the room that has until now served as the mangle room as a studio and storeroom for the bits and pieces I have,1 I’ve come to The Hague to pack up and send my studies, prints, &c. &c.2 Which I need to attend to myself.
I’ve also spent a day with Rappard,3 who was very cordial, and reassured me not a little concerning some scruples that I had about regarding it as something that might be of a permanent nature.
Well, I saw drawings (watercolours) and painted studies by him that I consider very good.
Particularly the old women’s home on Terschelling.4 What a change you would see in his work. Again — what I said about the Rappards — I do not mean by that that I’ve ever wished nor wish now that they should spend money on my studio at home. Not that — but that it should be in the simplest way  1v:2 a room where I at least have a pied-à-terre, so that I can get through hard times more easily.
There’s all the more reason to take careful steps, precisely because we’re poorer than the Rappards.
Anyway, when time has passed it will, I think, be conducive to arriving at a solid result.
I’ve seen the woman5 again, which I very much longed to do.
I really do feel that it would be hard to begin again.
But that doesn’t alter the fact that I don’t in any way want to act as if I didn’t know her or something.
And I wished that at home they could realize that the bounds of compassion do not lie where the world draws them. You, after all, understood me in this. Given the circumstances, she has behaved bravely since then, a reason for me to forget the problems I had with her from time to time.  1v:3
And precisely because I can do almost nothing more for her now, I must at least try to put heart into her and fortify her. I see in her a woman, I see in her a mother, and I believe any man who is at all manly must protect such a one if there’s an opportunity to do something. I’ve never been ashamed of it, nor shall I be ashamed of it.
Well, I write in haste. With a handshake.

Ever yours,

My address is
  Kosthuis No 1
  Assendelftstraat 16.6
But of course I won’t be here long.


Br. 1990: 418 | CL: 349
From: Vincent van Gogh
To: Theo van Gogh
Date: The Hague, Friday, 21 December 1883

1. Mr van Gogh told Theo about this on the evening of Thursday, 20 December 1883: ‘You will be curious to hear how things have been going with Vincent.
At first it seemed to be hopeless, but it has gradually got better, particularly since we agreed that he will stay with us for the time being, to make studies here.
He wanted the mangle room to be fitted up for him. We don’t think it’s a particularly suitable place, but we’ve had a decent stove put in there. We are having a sort of wooden foot-rest made, since the room has a stone floor. We had it spruced up and have even had a bed put in there, also on a wooden foot-rest, so that it won’t be unhealthy. Now we shall just make it nice and warm and dry and then it should do. I wanted to have a large window put in, but he prefers it without.
Early this morning he went to Utrecht to visit Rappard, who urged him to do so. He also deemed it necessary that a collection of drawings and studies, which are in The Hague, should come here, and he plans to go and pack them up because he stubbornly asserted that no one but he himself could do it.
You know that once he has made his plans there is no changing them and so he left, to return within a few days so he has said.
We should rather that he had just left The Hague alone, but the matter of his drawings and other artist’s tools made it necessary, so he declared.
Anyway, we’re undertaking this new trial with real good faith and are resolved to leave him completely free in his eccentricities of dress etc. The people here have seen him now, and although it’s still a pity that he isn’t a little more accommodating: there’s simply no changing the fact that he’s eccentric.
It seems that he’s still pretty much occupied with your plans and future; but you will be wise enough not to let yourself be talked into things that aren’t practical. For that is certainly his trouble, alas! It is certain that he works hard and that he finds plenty of material for studies here. He made various ones that we think are good. It seems that he still has something to pay to the supplier of paints. I wanted to give him money for it; but he refused categorically – he has now left with 25 guilders on him – including the 23 guilders you just sent’ (FR b2250).
2. Van Gogh had left his things in The Hague when he went to Drenthe in September.
3. Van Rappard lived with his parents in Heerenstraat district A, no. 1173 (now Herenstraat 23 and 23bis) in Utrecht.
4. Anthon van Rappard, Old women in the West-Terschelling home, 1883 (The Hague, Kunstmuseum). Ill. 329 [329].
6. Assendelftstraat 16 was the address of Lodging-House number 1 of the Haagsche Maatschappij voor Kosthuizen (Hague Society of Lodging-Houses), a private organization that was also responsible for soup kitchens (GAH).